A POEM ON A POME
Lisa, you write:
Slowly I
gave up the sensual fruits;
plums
would no longer do.
For me
it was only apples, apples,
clean,
crisp, no guessing involved.
Firm, round, fresh fruit,
succulent & spurting with juice,
apples gleam & dribble with
sensuality.
Take Bonnard’s apples,
green-golden& red-lipsticky
or Gaughin’s peach-to-ruby
complexions of natives prelapsed;
or the apple-cheeks of Matisse’s
prostitutes, orange-spashed;
& Cezanne waxed lyrical,
polished, glossed
as much as any supermarketed
McIntosh.
Merry pippins colour more than
high-blushed temptation:
the fall-out of Newton’s laws of
gravitation
shine in the Garden of Hesperides as
orbs of obsession;
the daily talisman of a healthy
liver
becomes the apple of a lover’s eye,
green-eyed lover;
& when Eris threw the golden
apple in the assembly hall
of the gods,
the discord appalled.
No, as sure as
God made little (green) ones,
all fruits to
the senses appeal if ripened.
Eve and New
York fell for the apple in a big
way & what
Ken Russell did for figs,
Sylvia Kristel probably did with bananas
Dietrich would have done for grapes and cherries
Rosie did for the consumption of cider
oranges did for Nell Gwynne’s profile
& Rude gave a serve to the whole platter
(Lisa, what exactly was your
relationship to plums?)
She’s apples, the fruit of the
earth, albeit Forbidden Tree,
the coddled balls at the core of our
mythology,
whose mortal
taste brought death into that world
and all our
woe & all the burrowing moths encurled.
But the Tree
of Knowledge forked our senses
to apply the
apple of love to Golden Delicious;
so the fruit
of our loins, Granny Smith is.
Michael
Small
Cambridge,
Massachussets, USA
August, 1992
Some
windfall;
but hardly,
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