ALONG THE GHATS OF GANGA MATA
Varanasi
Kashi
City of Light
City of Shiva
Benares
single stretch of strand where
Ganga reaches south to north
steep steps
of Main Ghat, Dasasvamedh Ghat
gateway to Ghatland
the sweep of quasi-Biblical tableaus
splashes
of Renaissance pigment
running the curved riverside rim round
to Assi Ghat
Namaste. Namaste!
You are welcome to the lila of the universe,
the play
of God. Are you seeking for guru? Here you see infinite
horizons. Ji han?
No, not for spirits landlocked.
The secret of life,
my
friend, is to accept.
seven
days before Holi bonfires, on the bank of Holy River
dust swirls up like bursts of Delhi
exhaust
Which
proves no bank
but low-lying flats of scrubby, loose sand
Pula Mela
now a patch for water melons, a hamlet of tents
yet during Magh Mela
canvas city
for nomadic sadhus and naked Jains
Distant
trees of that left bank
a dark cylinder of steel wool or
fog
for another meagre monsoon has cheated the
great Ganga
half its former fluent self
greywater at low ebb
placid wrinkles
drained of its brown
complexion
far from the silty,
muscle-rippling torrent of a Himalayan salt-cave
combing through the tangled hair of Shiva
via the realm of kores of gods
rushing with swagger and slap
half-way up these ghats’ stone steps
Namaste, sir. You want boat? I have boat, good boat.
Expectant boatmen lie in wait for
the obligatory pre-dawn boat
ride Show some
respect Remember the ferryman’s
status at
Styx. And when Rama was ferried across Ganga
he took the low-born
boatman
to his bosom Don’t do that
here!
cycle of karma, so you no need
come back.
At water’s edge
washermen in dhotis soaping washrags
on stone
slamming clouts against tilted
boards another scrubbing his teeth
with
leaf of neem or tube of Kolghata?
White-clothed faithful in prayer,
seated in lotus position, palms
open to the sun god, Surya, who
slowly
bathes them in pink tints to rose to harvest yellow
Some youths swim out gleeful
duck jet black hair spurt
water from gobfuls No
fears
Goddess
Ganga will save them from the effluvium of toxins
Someone washing his face from a
boat another lathering his hair
with oodles of shampoo, not the genuine urine of holy cow
yonder o ye of great faith cups hands
actually ingesting the
stuff!
as if it were Maharashtra wine,
the really good stuff:
Hari om Hari om Hari om
Even-tempered now, Ganga
for laid-back oarsmen in slow motion
and a party of squawky mem sahibs who’d brought their own
caseful of pure Perrier from New York
‘Yeah, electric cremation is more humane.’
Western couples in loose white gear,
thongs, earings
Intrepid’s groups of twelve cautious intrepids
with
their navy Say No To Plastic
bags of plastic bottles, mineral
water double-sealed, apprehensive
peering into those mysterious depths for uncremated corpses
or
poor underdone jobs slipped in that might bob up
with
a leer, charred scars
and ready-to-board pirates
sneaking up to your gunnels
boats
twirling beards as abrasive as hot mango chutney
grappling with one fist, the other tensing
to grasp an armful of sheening saris to woo and wow
or
barter holy Ganga water with specks of genuine ash, even
a bucket of seedy-looking river
sprats for bewildered Japs
Ganga
mata ki jai! Ganga
mata ki jai!
Mid-morning back at Main Ghat,
about to amble south towards Assi –
Ghatrats charge scampering like a pack of black-spotted
leopards
touts
on commission for the boatmen
Boat, sir? Boat?
Would you like boat? Where you
from, sir?
You come. My brother has boat. You want coconut? Make puja?
Buzzing postcard-wallahs test
temper and shortsightedness
Cards
flashed before one’s peepers
You stare blankly into distance
like a beaky owl and descend
steep steps with chilling dignity
toffed-up touts’ ghatattack as aggro
as Agra’s
You seeking for moksha? You want the knowledge? Excuse me, sir.
I know where is freedom. You come this way.
Bare-chested Vijay and Digby-jay
bent busy over the skeleton
of
a narwhal. Or bleached ribs of a
rowboat recalling a goat
carcass chewed at by dogs in the
bush, stray scruffs of dogs
with
growths the size of half-pomegranates
lavender-hulled row-boats moored in clove-hitched cluster
Woman,
eyes downcast, averted
Sari and pallu delicate pink as a
crane’s leg
No green-and-gold saris of
Benares silk here with intricate zari
Or
tracery on hennaed hands with gold bands
Envy the unself-conscious man
Who squats to pee into a crack
between paving stones
On the main beat accurately, it so happens
Adding
to the dubious streams leaking
Down brown-stained steps
‘All India is a toilet,’ mutters
a red-turbaned pelerin in passing
Space cake? Hashish?
Sir, sir, you want bhang?
Eleven o’clock back at Dasaswamedh, Main Ghat
foetally tucked up bodies of five sadhus dossed on steps
sleeping amid goats’ pellets and cow shit and stains of
blood
a darker red, as if a sect of
pilgrims has opened veins in sacrifice
more likely, betel juice gobbed
out from packed cheeks, paan
just
as monkeys store nuts in cheek pads Bewhiskered
weathered heads on swags, their
sole personal possessions
bones covered by thin, washed-out orange
robe and turban
and deeper orange shawl, wooden sandals
in the shade of the pink-barrelled water
filter that shoots
down the grey-stoned Mughal
stupa
with its dome of inverted goats’ dugs
You wait
for some revelation or wise saw, sermon or tirade
even a glaucous, penetrative stare into the
mysteries in vain
Just
a sleepy-eyed, skinny-limbed itinerant expecting
A scatter of subsistence coins
A larki,
eight or five, with basket of marigolds
clingy as lati vine
forefingers a circle in the other
palm to hint
one rupee, thanks
Buy
flower! Please buy flower! For puja.
Make wish! O please! Please!
A limping
mongrel stops, sits, twists to bite fleas on its scabby rump
but can’t From the shadows, a kid goat suddenly wakes
bleats a rattle of anxiety and trips
up a step or two
away from its mother, trembles and suddenly
skipping down a flight of steps to
comfort
its black billy buck dad with chuck under the chin
deserving a shower of rose petals the deepest red
Beneath a
concrete umbrella,
a man lying on his side reading The
Times
Of India,
one leg forming a triangle on his thigh
in yogic half-lotus two goats asleep by his grounded foot
Working
the steps
a seller
with huge wicker saucer of green grapes shading his noggin
The
karmas done here are not destroyed and remain forever (‘akshaya’)
German
Bread of Life Bakery, Restaurant and Info-Café Ayurvedic
Massage Advertisement hoardings, several in
tatty scrolls
Astrologer explains your
life-line, mumbles astral configurations
as if studying the form guide calculating the odds
May your life be shining the
livelong day
But I see you trouble with the
faith, isn’t it?
So
how far away is this peace and happiness?
Three
hundred rupees and a dip in the Ganges day and night.
Ganga
Mata washes all your sins away. Very
cheap, eh?
Ablutions absolve
absolutely (Acton?)
Five boys
playing Tendulkar on the concrete concourse
Kapil Dev is slinging the tennis ball in
from wide outside the imagined crease,
silly mid-on stationed
on the ankle-twisting fifth
step. Temples of cow dung
piled like Pontefract doughnuts, patted and
patterned
on slope of stone Razzzle of bangles, bracelets
baubles, beads on stub of concrete
pier
Already your nose twitches at that
odour
that sickly
sweet fragrance of Manikarnika Ghat
Cremation
ceremony, sir? I show you. Come!
Then
may the fire ovens consume you!
Soot-faced
stupas in Mughal grunge overlooking in sombre severity
Piles of logs and faggots of varying
quality
and price stacked back to
upper
steps Scented sandalwood for the rich; for the poor
sticks as spindly as sinewy legs of old
rickshaw riders
Glittering clots of dirty gold tinsel
and crumpled pale yellow-to-orange
marigolds
trail down to scurf the water’s edge, a
slick of mud, ash-
clotted Cows
still nosing for cud among the pyres
One munching an orange garland
Beyond the leaning temple of Shiva yaws before
your eyes
Spellbound, two trippers endhowed
beneath shade-cloth
drift closer to the daily ritual of
death
And do
thy duty; even if it be humble, rather than another’s, even
if it be great. To die in one’s duty is life: to live another’s is death. Bhagavad-Gita
The toll of
a temple bell and a cadaver is briskly brought down
on a bamboo-framed palanquin by four
untouchables
matter-of-fact fashion Death is their business
No-fuss doms these charnel wallahs
it’s their life
They remove thin golden fabric
that
envelops the body lay the stiff on
cross-stacked logs
poke kindling sticks toss ghee, herbs and spices
onto the flames Lords of the Dead; they own the franchise
This is the
first dead body, or its shrunken shape, mummified
in grey cloth you have ever clapped eyes upon
to
face finally
Please, uncle, I work at the
hospice. It’s very hard work. I see you
are interesting in our customs. I don’t want money for me, but make
a contribution. Just make a contribution!
are interesting in our customs. I don’t want money for me, but make
a contribution. Just make a contribution!
More
tender-loving and dignified, the family farewell
body wrapped in white cloth brocaded
and laced with spun
gold bound to the
palanquin strewn with garlands
of
marigolds The
two-by-two procession winds
through the din of choked chowks and galis
The womenfolk singing laments to
tabas and flutes
Male family and friends straggle
back from the pyre
to render last
respects from discreet distance
Pockets of tourists mute and solemn gaze from galleries
above black plumes of smoke or at side
barriers
forced to consider the doms’ consolation
Death of the body is more than
the great leveller; do your duty
and the next incarnation can
take you closer to nirvana
When the flames kick, start licking
you think crackling of sticks or hair Or legs?
Sorry, it’s the smashing of the
brain
for
the spirit’s flight
And slope away downwind, feeling ghoulish suddenly
From Mir Ghat, the whop of a
batsman slogging a defiant six
Good sir, you give donation,
please. Poor people want wood to die
Dusk at Assi Ghat, light palpably
falling, ripples darken, soften
Boatmen
row out toward the left bank
From spits of sand in spasmic glide
aiming for some mysterious metaphysical centre of
Holy
Ganga
Kites, yellow, green, pink, in
dog-fight above the ghats dart
like
swallows Reflections of amber and white light
on stolid walls dark with jut and rib, crochets and crescents
Above, the ziggurat of deckle-edged towers, minarets, empty
multi-deckered
boarding houses with blind sockets
red-bottomed monkeys with tails upright as walking sticks
lope the crenellations like slack
guards
or loop the banyans
Greased-up wrestlers in briefs
enjoy a rub wade thick thighs
thwacking
water at one another hard of hand
Dipping into the silence, the gentle
plash
Strategic
stilling of boat mid-stream one oar deep
held coming to rest amid reflections
a-shimmering
Anchored the boatman lights
the wicks soaked in ghee
with
reverence one hundred and fifty
candles
in leaf-boats passes
them round to bemused night-owls
who lean over the side, fuss their little craft on the
still dark
water Make wishes for
family friends, self
Mesmerized as the leaf-boats bob toward one another
miniature
squadrons starboard and larboard
Wish-makers caught quiescent in the circle of candlelight
This wick we say is ego. And the oil, ghee, is our negative aspects
After the orgy of wishing
the
motherboat glides in hushed dabs towards theatre
Dasasvamedh
Ghat
now bathed in an aura of angelic
white light
From its platform abutting the lowest steps water-steeped
shadowy devotees four or five fully clothed
dunk themselves under cover of dusky shadows billow
wallow in ecstasy
In
distance retreating
the flotilla of leaf-boats wish-laden signal still
a glow of burning teardrops against the darkness
a
line broken at times by the prow
of another tourist craft nudging
toward Main Ghat
for
the lighting of the sacred flame
dedication
Mata ganga
Surya
Lord Shiva
Agni
the
Universe
Ganga cha, Yamune cha, aiva!
Five young Brahmin priests in long,
white robes
one with flowing, shoulder-length,
Christ-like locks
pray to the river goddess in melodic lilt
chanting their Vedic hymns amplified
Bells clanging, cymbals clash, a
clarion of horns, clapping
hesitant
then rhythmic by spectators glued to
steps
Mingling of thick, dolce aromatic
other-worldly
camphor incense sticks
flowers earthen lamps
In unison, the priests swing their
censers flaming
With a
swish of flamboyance
turning to the four points of the
compass
O
Ganga! O Yamuna!
Godavari,
Saraswati!
Narmada,
Indus, Kaveri,
Be
manifest in these waters
Somewhere
toward the black sleek of middle river
the long line of sparkles has vanished
Light has
succumbed to darkness
The
candlewicks are dead
Michael Small
March
12-April 6, 2009
published Crematorium (on-line magazine 'issuu'), January, 2019
published Crematorium (on-line magazine 'issuu'), January, 2019
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